jason bonhamtip24

Aquest vídeo mostra el concert complet de l'ESMUC Jazz Project, del 23 de gener de 2019. Estudiants, graduats i professorat integren l'ESMUC Jazz Project, formació que va néixer l’any 2015 en el si del departament de Jazz i Música Moderna de l’Escola. Anualment presenten en concert un projecte que s’articula al voltant de la figura d’un músic rellevant, recreant i reelaborant la seva obra, i creant un material original inspirat en l’essència de la seva música. En aquesta ocasió, el vídeo recull el concert del cicle de Grans Conjunts. La formació va interpretar temes del músic estatunidenc Ralph Towner en un concert titulat Towner, sota els ulls de l'ESMUC. Hi havia cinc orquestracions sobre obres del compositor i altres cinc noves obres composades pels directors de la formació inspirades en l'autor. El concert va tenir lloc a la Sala 3 Tete Montoliu de L'Auditori de Barcelona.

Directors: Joan Monné, Joan Díaz, Joan Sanmartí, Francesc Capella i Lluís Vidal. Presenten: Towner, sota els ulls de l'ESMUC.

Més informació:
http://www.esmuc.cat/Viu-l-Esmuc/Actu...

Programa de mà:
http://www.esmuc.cat/content/download...

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Music from YouTube Audio Library
Title "Moonlight Sonata (by Beethoven)" from "Beethoven"

Information from Wikipedia http://goo.gl/bk8CKh :

The Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27, No. 2, popularly known as the Moonlight Sonata, is a piano sonata by Ludwig van Beethoven. Completed in 1801 and dedicated in 1802 to his pupil, Countess Giulietta Guicciardi, it is one of Beethoven's most popular compositions for the piano.

Although no direct testimony exists as to the specific reasons why Beethoven decided to title both the Op. 27 works as Sonata quasi una fantasia, it may be significant that the layout of the present work does not follow the traditional movement arrangement in the Classical period of fast–slow–[fast]–fast. Instead, the sonata possesses an end-weighted trajectory, with the rapid music held off until the third movement. In his analysis, German critic Paul Bekker states that "The opening sonata-allegro movement gave the work a definite character from the beginning... which succeeding movements could supplement but not change. Beethoven rebelled against this determinative quality in the first movement. He wanted a prelude, an introduction, not a proposition.”

The sonata consists of three movements:

1. Adagio sostenuto
2. Allegretto
3. Presto agitato